Through FMOD Studio I build highly interactive sonic ecosystems. I specialize in designing multi-track event structures, dynamic parameters, and Snapshots that evolve in real-time based on game states and gameplay intensity.

Working with Audiokinetic Wwise allows me to design complex, data-driven audio architectures. I specialize in interactive music hierarchies, RTPCs, soundcaster simulations, and managing voice limiting and memory profiling.

My Unity mastery focuses on architecting adaptive audio systems and game mechanics through C# scripting. I integrate middleware APIs, write custom trigger systems, and manage dynamic audio-visual sync and memory optimization.

Deep expertise in Unreal Engine audio integration using Visual Blueprints and MetaSounds. I build spatialized audio graphs, physical sound occlusion, attenuation curves, and interactive sound cue architectures.

Primary workstation for audio asset creation, field recording processing, and Foley design. Highly optimized pipeline with custom actions, multichannel routing, and fast batch rendering for game engines.

Precision waveform and spectral editing, audio cleanup, voice-over restoration, and broadcast-standard loudness normalization (LUFS/LKFS) for clean game asset delivery.

Industry-standard post-production and mixing suites. Surgical dynamic EQ with FabFilter Pro-Q, multiband dynamics, transparent limiting, and advanced spectral de-noise, de-click, and spectral repair with iZotope RX.

Professional collaborative workflows for game development teams. Branch management, pull requests, merge conflict resolution, and handling large binary audio banks using Git LFS.

Production of professional Game Design Documents (GDD), audio technical design documents (TDD), pipeline specifications, and academic publications using LaTeX, Overleaf, and Google Docs.

Composition, arrangement, and professional score engraving. Crafting immaculate sheet music and lead sheets for live session recordings rooted in conservatory music education in Saxophone.